(Madan Mohan, Vancouver, circa 1974)

"O my Lord, the transcendental body of Krishna is very sweet, and His face is even sweeter than His body. The soft smile on His face, which is like the fragrance of honey, is sweeter still."

(Caitanya-caritamrta Madhya, 21.136)

"Krishna's body is a city of attractive features, and it is sweeter than sweet. His face, which is like the moon, is sweeter still. And the supremely sweet gentle smile on that moonlike face is like rays of moonshine."

(Caitanya-caritamrta Madhya, 21.138)

"The body of Krishna, the ocean of the eternal beauty of youth, can be seen to move in waves of beauty. There is a whirlwind at the sound of His flute, and those waves and that whirlwind make the hearts of the gopis flutter like dry leaves on trees, and when those leaves fall down at Krishna's lotus feet, they can never rise up again. There is no beauty to compare with Krishna's, for no one possesses beauty greater than or equal to His. Since He is the origin of all incarnations, including the form of Narayana, the goddess of fortune, who is a constant companion of Narayana, gives up Narayana's association and engages herself in penance in order to gain the association of Krishna. Such is the greatness of the superexcellent beauty of Krishna, the everlasting mine of all beauty. It is from that beauty that all beautiful things emanate."

(Teachings of Lord Caitanya, Chapter 10)

"My dear friends, Krishna is so beautiful that the goddess of fortune always remains on His chest, and He is always adorned with a golden necklace. Beautiful Krishna plays His flute in order to enliven the hearts of many devotees. He is the only friend of the suffering living entities. When He plays His flute, all the cows and other animals of Vrndavana, although engaged in eating, simply take a morsel of food in their mouths and stop chewing. Their ears raise up and they become stunned. They do not appear alive but like painted animals. Krishna's flute playing is so attractive that even the animals become enchanted, and what to speak of ourselves."

(Krishna Book, Chapter 35)

"When Krishna walked on the bank of the Yamuna, He was seen nicely decorated with tilaka on His head. He was garlanded with different kinds of forest flowers, and His body was smeared by the pulp of sandalwood and tulasi leaves. The bumblebees became mad after the treasure and sweet nectar of the atmosphere. Being pleased by the humming sound of the bees, Krishna would play His flute, and together the sounds became so sweet to hear that the aquatics, the cranes, swans and ducks and other birds were charmed. Instead of swimming or flying, they became stunned. They closed their eyes and entered a trance of meditation in worship of Krishna."

(Krishna Book, Chapter 35)

"I worship Govinda, the primeval Lord, who is adept in playing on His flute, with blooming eyes like lotus petals with head decked with peacock's feather, with the figure of beauty tinged with the hue of blue clouds, and His unique loveliness charming millions of Cupids."

(Brahma-Samhita 5.30)

"The Vedic hymn known as kama-gayatri describes the face of Krishna as the king of all moons. In metaphorical language, there are many different moons, but they are all one in Krishna. There is the moon of His mouth, the moon of His cheeks, the moonspots of sandalwood pulp on His body, the moons of the fingertips of His hands and the moons of the tips of His toes. In this way there are twenty-four and a half moons, and Krishna is the central figure of all of them."

(Teachings of Lord Caitanya, Chapter 10)

"Krishna's face is decorated with ornaments, such as earrings resembling sharks. His ears are beautiful, His cheeks brilliant, and His smiling attractive to everyone. Whoever sees Lord Krishna sees a festival. His face and body are fully satisfying for everyone to see, but the devotees are angry at the creator for the disturbance caused by the momentary blinking of their eyes."

(Srimad-Bhagavatam 9.24.65)

"The gopis used to relish the beauty of Krishna as a ceremony of perpetual enjoyment. They enjoyed the beautiful face of Krishna, His beautiful ears with earrings, His broad forehead and His smile, and when enjoying this sight of Krishna's beauty, they used to criticize the creator Brahma for causing their vision of Krishna to be momentarily impeded by the blinking of their eyelids."

(Teachings of Lord Caitanya, Chapter 10)

"My dear friend, if you still have any desire to enjoy the company of your friends within this material world, then don’t look upon the form of Krishna, who is standing on the bank of Keshi-ghata. He is known as Govinda, and His eyes are very enchanting. He is playing upon His flute, and on His head there is a peacock feather. His whole body is illuminated by the moonlight in the sky."

(Nectar of Devotion, Chapter 13)

"My respectful obeisances are unto You, O Lord, whose abdomen is marked with a depression like a lotus flower, who are always decorated with garlands of lotus flowers, whose glance is as cool as the lotus and whose feet are engraved with lotuses."

(Srimad-Bhagavatam 1.8.22)

"I worship Govinda, the primeval Lord, who is inaccessible to the Vedas, but obtainable by pure unalloyed devotion of the soul, who is without a second, who is not subject to decay, is without a beginning, whose form is endless, who is the beginning, and the eternal purusha; yet He is a person possessing the beauty of blooming youth."

(Brahma-samhita 5.33)

"There was nothing comparable to the bodily features of Lord Krishna when He was present in this world. The most beautiful object in the material world may be compared to the blue lotus flower or the full moon in the sky, but even the lotus flower and the moon were defeated by the beauty of the bodily features of Lord Krishna, and this was certified by the demigods, the most beautiful living creatures in the universe."

(Srimad-Bhagavatam 3.2.13, Purport)

"No one can appreciate the beauty of Krishna by properly discharging his occupational duty, or by austerities, mystic yoga, cultivation of knowledge or by prayers. Only those who are on the transcendental platform of love of God, who out of love engage in devotional service, can appreciate the transcendental beauty of Krishna. Such beauty is the essence of all opulences and is only appreciated in Goloka Vrndavana and nowhere else. In the form of Narayana the beauties of mercy, fame, etc., are all established by Krishna, but Krishna's gentleness and magnanimity do not exist in Narayana. They are found only in Krishna."

(Teachings of Lord Caitanya, Chapter 10)

"Dear Lord, when You appear in Your different incarnations, You take different names and forms according to different situations. Lord Krishna is Your name because You are all attractive; You are called Shyamasundara because of Your transcendental beauty. Shyama means blackish, yet they say that You are more beautiful than thousands of Cupids. Kandarpa-koti-kamaniya. Although You appear in a color which is compared to the blackish cloud, because You are transcendental Absolute, Your beauty is many many times more attractive than the delicate body of Cupid."

(Krishna Book, Chapter 2)

"It is by great fortune that one comes to Krishna consciousness on the path of bhakti-yoga to become well situated according to the Vedic direction. The ideal yogi concentrates his attention on Krishna, who is called Shyamasundara, who is as beautifully colored as a cloud, whose lotus-like face is as effulgent as the sun, whose dress is brilliant with jewels and whose body is flower garlanded. Illuminating all sides is His gorgeous luster, which is called the brahmajyoti."

(Bhagavad-gita As It Is 6.47, Purport)

"It is confirmed in the Bhagavad-gita that the purpose of Vedic knowledge is to find Krishna. And it is said in the Brahma-samhita that it is very difficult to find Krishna, the Supreme Personality of Godhead, by systematic reading of the Vedic literature. But He is very easily available through the mercy of a pure devotee. The pure devotees of Vrndavana are fortunate because they can see Mukunda (Lord Krishna) all the time. This word mukunda can be understood in two ways. Muk means liberation. Lord Krishna can give liberation and therefore transcendental bliss. The word also refers to His smiling face, which is just like the kunda flower. Mukha also means face. The kunda flower is very beautiful, and it appears to be smiling. Thus the comparison is made."

(Krishna Book, Chapter 14)

"When the transcendental sound of Krishna's flute is heard, the devotee's anxiety to continue to hear that flute enables him to penetrate the covering of the material world and enter into the spiritual sky, where the transcendental sound of the flute enters the ears of the followers of the gopis. The sound of Krishna's flute always resides within the ears of the gopis and increases their ecstacy. When it is heard, no other sound can enter their ears, and amongst their family they are not able to reply to questions properly, for all these beautiful sounds are vibrating in their ears."

(Teachings of Lord Caitanya, Chapter 10)

"The supreme abode of the Personality of Godhead, Krishna, is described in the Brahma-samhita as cintamani-dhama, a place where all desires are fulfilled. The supreme abode of Lord Krishna known as Goloka Vrndavana is full of palaces made of touchstone. There are also trees which are called 'desire trees' that supply any type of eatable upon demand, and there are cows known as
surabhi cows which supply a limitless supply of milk. In this abode the Lord is served by hundreds of thousands of goddesses of fortune (Lakshmis), and He is called Govinda, the primal Lord and the cause of all causes. The Lord is accustomed to blow His flute (venum kvanantam). His transcendental form is the most attractive in all the worlds -- His eyes are like the lotus petals and the color of His body like clouds. He is so attractive that His beauty excels that of thousands of cupids."

(Bhagavad-gita As It Is 8.21, Purport)

"Know that all beautiful, glorious and mighty creations spring from but a spark of My splendor."

(Bhagavad-gita 10.41)

"The gopis' minds are always engaged in relishing the sweetness of Krishna's body. He is the ocean of beauty, and His beautiful face and smile and the luster of His body are all-attractive to the minds of the gopis. In Krishna-karnamrita, His face, smile and bodily luster have been described as sweet, sweeter and sweetest. A perfect devotee of Krishna is overwhelmed by seeing the beauty of Krishna's bodily luster, His face and smile, and he bathes in the ocean of transcendental convulsions. Before Krishna's beauty, these convulsions often continue without treatment, just as ordinary convulsions which a physician will allow to continue, not even allowing a drink of water for relief."

(Teachings of Lord Caitanya, Chapter 10)

"My dear friend, if you are indeed attached to your worldly friends, do not look at the smiling face of Lord Govinda as He stands on the bank of the Yamuna at Kesighata. Casting sidelong glances, He places His flute to His lips, which seem like newly blossomed twigs. His transcendental body, bending in three places, appears very bright in the moonlight."

(Caitanya-caritamrta Adi, 5.224)

"Krishna is known as Madana-mohana because He conquers the mind of Cupid. He is also known as Madana-mohana due to His accepting the devotional service of the damsels of Vraja and rendering favors unto them. After conquering Cupid's pride, the Lord engages in the rasa dance as the new Cupid. He is also known as Madana-mohana because of His ability to conquer the minds of women with His five arrows called form, taste, smell, sound and touch. The pearls of the necklace which hangs about the neck of Krishna are as white as ducks, and the peacock feather which decorates His head is colored like a rainbow. His yellow garment is like lightning in the sky, and Krishna Himself is like the newly arrived clouds. The gopis are like footbells on His feet, and when the cloud pours rain on the grains in the field, it appears that Krishna is nourishing the hearts of the gopis by calling down His pastime rain of mercy. Indeed, ducks fly in the sky during the rainy season, and rainbows can also be seen at that time. Krishna freely moves amongst His friends as a cowherd boy in Vrindavana, and when He plays His flute, all living creatures, mobile and immobile, become overwhelmed with ecstasy. They quiver, and tears flow from their eyes. Of Krishna's various opulences, His conjugal love is the summit. He is the master of all riches, all strength, all fame, all beauty, all knowledge and all renunciation, and out of these, His perfect beauty is His conjugal attraction. The form of Krishna, the conjugal beauty, is eternally existent in Krishna alone, whereas His other opulences are present in His Narayana form."

(Teachings of Lord Caitanya, Chapter 10)

"Krishna is never conquered by anyone, but a devotee can conquer Him through devotional service. As stated in Brahma-samhita (5.33): vedesu durlabham adurlabham atma-bhaktau. One cannot understand Krishna simply by reading Vedic literature. Although all Vedic literature is meant for understanding Krishna, one cannot understand Krishna without being a lover of Krishna."

(Caitanya-caritamrta Madhya 4.137, Purport)
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